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But you need a man

I still believe in love. I just want a forever kind of love when it finally comes around. The truth is I want to get married someday. I want someone who is my true best friend, partner, and life companion.

SEE VIDEO BY TOPIC: Bonnie Tyler - If You Were A Woman (And I Was A Man) (Official Music Video)

The Man (Taylor Swift song)

The song was serviced to US adult contemporary and pop radio formats on January 27 and 28, as the fourth single from Swift's seventh studio album, Lover Swift wrote and produced the song with Joel Little. It is a synth-pop song with flashy harmonies, murky synths and rumbling beats. Over an uptempo production, Swift imagines the media's treatment of her if she were a man. The song received acclaim from critics, who praised its feminist message. It also debuted at number 4 on the Rolling Stone Top On February 7, , an animated lyric video of the song was released on YouTube.

On February 18, , a live acoustic version of the song, titled "The Man Live from Paris ", was released on all music platforms, accompanied by its live video. An official music video for "The Man" was released on February 27, and was directed by Swift herself, marking her solo directorial debut.

The satirical video sees Swift in her theoretical male alter-ego named "Tyler Swift", presenting several prevalent examples of sexist double standards in society, including objectification , sexualization of women , toxic masculinity and patriarchy.

The recording process for Taylor Swift 's seventh studio album Lover took under three months, and concluded in February He co-wrote and co-produced four of the eighteen tracks for the album. Swift imagines the media's treatment of her if she were a man, over a uptempo production. Swift challenges societal sexist double standards , with lyrics including a noteworthy reference to American actor Leonardo DiCaprio.

We [women] have to curate and cater everything, but we have to make it look like an accident. Because if we make a mistake, that's our fault, but if we strategize so that we won't make a mistake, we're calculating. There is a bit of a damned-if-we-do, damned-if-we-don't thing happening in music. According to Billboard 's Gil Kaufman, "The Man" is a pointed statement about "how much harder women need to work than men to get to the same finish line".

The Atlantic ' s Spencer Kornhaber described "The Man" as "one of the most straightforwardly catchy songs" on Lover , and further called it Swift's "most explicit musical statement on sexism". Brittany Hodak of Forbes , praised the song as "the most important song she's [Swift has] ever written".

She also stated that the song is "a brilliant portrayal of the subtle and not-so-subtle sexism women face every day". He further described the song as a "synth-strut mode very reminiscent of Haim " that "takes aim at sexist music industry and media double standards and just keeps firing bull's-eyes".

Writing for Elite Daily , Sade Spence and Kristen Perrone stated that the lyrics of the song are "super bold and carry a powerful message about women".

They further stated that the song is an addition to the "legendary canon of crafty takes on sexism" in music. On February 25, , Swift announced via her social media accounts that the music video will be released in two days' time.

She stated that the entire preparation for the music video—including planning meetings, creating mood boards, scouting locations, and costume and set design—took several months. She also confirmed that there would be many of her trademark " easter eggs " in the video. With "The Man" music video, I wanted to show a heightened reaction of how the world reacts to someone who's male, hot, rich, young and cocky.

I wanted to show how there's immediate approval and benefit of the doubt given, in a ridiculous way. Swift's transformation involved a "muscle suit", prosthetic makeup , eyebrow wigs, and facial sculptures, which took between four and six hours to apply each day. Ready for It? The satirical music video explores Swift's life as her theoretical male counterpart, an alter-ego named "Tyler Swift". The video presents numerous prevalent examples of double standards in society, and comments on the objectification and sexualization of women , toxic masculinity , patriarchy , as well as performative allyship.

Throughout the video, the male version of Swift is seen rudely inconveniencing the people around him, leading a luxurious and promiscuous lifestyle, manspreading , receiving praise for the bare minimum, and throwing tantrums without consequences. It contains visual references to The Wolf of Wall Street , a film involving the lyrically name-checked actor Leonardo DiCaprio and cinematographer Prieto, and tennis player Serena Williams ' match controversy with a chair umpire at the US Open Championships.

The video has several easter eggs alluding to Swift's other work, including Speak Now , Red , and Reputation graffiti on a wall. Fearless is written backwards, while the title of her eponymous debut album appears in a sign saying "Missing: If Found Return to Taylor Swift".

The "missing" sign, along with another wordless sign that appears to ban riding scooters , references her battle with Scooter Braun and Big Machine Records over the ownership of the master recordings of her first six studio albums. Lover , the first album that Swift completely owns herself, is absent, but the word "karma" is written twice on the wall, a possible reference to Swift's plan to re-record her previous works thus lowering the value of the originals.

The camera subsequently pans over a "Mr. Swift's alter-ego runs down a hallway giving high-fives to nineteen disembodied hands, alluding to double standards behind the walk of shame that women are often forced to take after a sexual encounter.

The hands are said to be a reference to the 19th amendment of the United States constitution , which granted women the right to vote in the country. In the final scene, Swift herself appears as the video's director to instruct her male alter-ego to be both "sexier" and "more likeable" in the next take—a subtle dig at the entertainment industry's blatant objectification of and sexist treatment toward women.

Ending on messages of female empowerment, Swift then turns to praise Loren Gray for her acting performance as a tennis ball girl , despite her role consisting of nothing more than an eye roll.

The end credits list Swift as the director, writer, owner and star of the music video, Johnson as the voice of "The Man", and shows photos of Swift's transformation process into the male lead of the video. It ends with a disclaimer stating "No men were harmed in the making of this video". Bryan Rolli of Forbes , highlighted that the video is characterized by an "exaggerated and cartoonish " attitude "in a self-aware way", typical of Swift's "most memorable videos".

He further expanded that "obviously, not every man acts like her [Swift's] character; that's not the point. The point is to make a caricature of the buffoonish men who feel the need to criticize successful women like Swift for merely existing and dissect every public decision they make, whereas their male counterparts would receive praise for the same actions".

She further added that the video makes it clear to viewers that Swift "will not let people mess with her". Billboard 's Rania Aniftos commended that Swift undergoes an "intense make-over" in the "visually stunning clip", to become a "bearded, belligerent corporate titan whose rocket fuel is non-stop high-fives, fist-pounds, empty praise and rounds of shots with his amped-up bros".

They added that Swift takes aim at "the cultural norms that allow, and at times even encourage, men to develop overinflated egos". An animated lyric video for the song was released on February 7, , exploring visual themes of women empowerment, feminism and workplace sexism. The video depicts a power suit -wearing woman, the only female figure in a maze-like city full of taller and larger corporate male drones, as she tries to navigate through staircases that lead to nowhere.

She is forced to run past the sauntering men to avoid getting trampled. When the woman finally reaches the top of a building, symbolizing her climb up the corporate ladder, the male drones push her off and leave her to freefall to death; thankfully, she is caught by another, benevolent, giant woman and shown to a place where all the women walk together in solidarity towards the city.

The ending of the video implies that the true key to success for women is to lift each other up. Some of the visuals featured in the video bear resemblance to those from the movie Inception , which stars the actor name-checked in the song, Leonardo DiCaprio.

In March , British politician Liz Truss , the Secretary of State for International Trade and Minister for Women and Equalities of the United Kingdom, quoted the song's lyrics during a special International Women's Day debate in the British parliament , while talking about the need for gender equality across the workforce and greater protection for women against domestic violence.

Truss stated: "And so that, in the words of the brilliant Taylor Swift in her new song, 'women are left running as fast as they can, wondering if they'd get there quicker if they were a man'.

Describing Swift as "pop's best humblebraggart", Rosen termed "The Man" as a "sly protest song", explaining that Swift "has been pop's top bellyacher, turning a now-familiar set of grievances into great songs".

He added that Swift "channels that indignation into a broader protest against the sexism and skepticism that all women face". Rosen also opined that the song's "most hard-hitting line is a plaintive rhetorical question that calls to mind a MeToo movement slogan: BelieveWomen ". On September 9, , Swift performed an acoustic version of the song at the "City of Lover" one-off concert in Paris, France. On February 17, , Swift announced on her social media platforms the release of a live acoustic version of the song titled "The Man Live from Paris ", recorded at her one-off "City of Lover" concert at L'Olympia in Paris, France on September 9, The song was released the next day along with the live video of its performance.

Billboard commented that the "glorious" live video is a "work of beauty", that sees Swift playing acoustic guitar , with her looking "relaxed and confident as the audience sings back every word of the song". News stated that video "will empower you to conquer all", where "the superstar once again proved her unbelievable talent". They added that Swift "lit up" the stage, with just a single spotlight , "as she plays the acoustic guitar, the audience cheers along to the feminist anthem".

Credits adapted from Tidal. From Wikipedia, the free encyclopedia. Digital download streaming. Taylor Swift Joel Little. Taylor Swift — vocals, songwriter, producer Joel Little — producer, songwriter, drum programmer, keyboards, recording engineer, studio personnel John Hanes — mix engineer Serban Ghenea — mixer John Rooney — assistant recording engineer.

Entertainment Weekly. Retrieved September 1, Taylor Swift. Republic Records , Taylor Swift Productions. The Independent. Retrieved December 14, Retrieved September 2, Retrieved February 6, The Atlantic. Retrieved April 4, Retrieved November 21, Rolling Stone. Elite Daily. Teen Vogue. The New York Times. Retrieved November 19, Retrieved September 3, September 7, Retrieved February 22, All Access.

Archived from the original on January 27, Retrieved January 27, Headline Planet. Retrieved January 29, Retrieved February 4,

Find song by lyrics

The song was serviced to US adult contemporary and pop radio formats on January 27 and 28, as the fourth single from Swift's seventh studio album, Lover Swift wrote and produced the song with Joel Little. It is a synth-pop song with flashy harmonies, murky synths and rumbling beats. Over an uptempo production, Swift imagines the media's treatment of her if she were a man.

Go to Songsear. Hi guys im looking for a song in which a man's mouth is taped and he is in a car without driver and the lyrics are like wrong wrong.. Looking for a song, i don't remember any of it's lyrics song is about a decade old but it begins with fire crackling sound along with a heart beat and has female vocals and it's real chill.

Она повернулась. Неужели АНБ прослушивает мои телефонные разговоры. Стратмор виновато улыбнулся. - Сегодня утром Дэвид рассказал мне о ваших планах.

У входа возьмешь такси. Беккер вытащил из кармана купюру в тысячу песет и сунул панку в руку. - Премного благодарен, приятель! - крикнул тот ему вслед.  - Увидишь Меган, передавай от меня привет! - Но Беккер уже исчез. Двуцветный вздохнул и поплелся к танцующим. Он был слишком пьян, чтобы заметить идущего следом за ним человека в очках в тонкой металлической оправе. Выбравшись наружу, Беккер оглядел стоянку в поисках такси. Ни одной машины.

- Включилось питание от автономных генераторов. Это аварийное электропитание в шифровалке было устроено таким образом, чтобы системы охлаждения ТРАНСТЕКСТА имели приоритет перед всеми другими системами, в том числе освещением и электронными дверными замками. При этом внезапное отключение электроснабжения не прерывало работу ТРАНСТЕКСТА и его фреоновой системы охлаждения.

Если бы этого не было, температура от трех миллионов работающих процессоров поднялась бы до недопустимого уровня - скорее всего силиконовые чипы воспламенились бы и расплавились.

Быть может, вы могли бы… - Право же, без фамилии я ничего не могу поделать.

Стратмор медленно повернулся к Сьюзан. Тоже неподвижная, она стояла у дверей шифровалки. Стратмор посмотрел на ее залитое слезами лицо, и ему показалось, что вся она засветилась в сиянии дневного света.

Я обязан позвонить в службу безопасности, - решил.  - Что еще мне остается? - Он представил Хейла на скамье подсудимых, вываливающего все, что ему известно о Цифровой крепости.  - Весь мой план рухнет.

SEE VIDEO BY TOPIC: "I Don't Need A Man... But I Want One!" - First Dates Ireland

Если он скажет да, его подвергнут большому штрафу, да к тому же заставят предоставить одну из лучших сопровождающих полицейскому комиссару на весь уик-энд за здорово живешь. Когда Ролдан заговорил, голос его звучал уже не так любезно, как прежде: - Сэр, это Агентство услуг сопровождения Белен. Могу я поинтересоваться, кто со мной говорит. - А-а… Зигмунд Шмидт, - с трудом нашелся Беккер. - Кто вам дал наш номер.

Вероятно, он отключился в результате какой-то внешней аномалии, которая не должна повториться. Код ошибки 22. Она попыталась вспомнить, что это. Сбои техники в Третьем узле были такой редкостью, что номера ошибок в ее памяти не задерживалось.

Сьюзан пролистала справочник и нашла нужный список. 19: ОШИБКА В СИСТЕМНОМ РАЗДЕЛЕ 20: СКАЧОК НАПРЯЖЕНИЯ 21: СБОЙ СИСТЕМЫ ХРАНЕНИЯ ДАННЫХ Наконец она дошла до пункта 22 и, замерев, долго всматривалась в написанное. Потом, озадаченная, снова взглянула на монитор.

КОД ОШИБКИ 22 Сьюзан нахмурилась и снова посмотрела в справочник.

Mar 4, - No Lyrics: I think it's so cute and I think it's so sweet / How you let your friends You need to let it go, uh If I want a man, then I'ma get a man.

- Три - это простое число. Фонтейн пребывал в изумлении. - Неужели так .

- Ну, тогда… надеюсь, хлопот не. - Отлично. Он обедает там сегодня с одной из наших сопровождающих.  - Ролдан понимал, что сейчас они скорее всего лежат в постели, но ему не хотелось оскорблять чувства звонившего.

Примененные атомные бомбы были неодинаковы. В них использовалось разное топливо - разные элементы. Соши хлопнула в ладоши.

Тогда за дело, - сказал Стратмор, положил ей на плечо руку и повел в темноте в направлении Третьего узла.

Расскажите, как он погиб, - нетерпеливо сказал Фонтейн. Смит сообщил: - Мы вели наблюдение из мини-автобуса с расстояния метров в пятьдесят. Вначале все шло гладко.

Халохот, по всей видимости, настоящий профессионал.

Он оказался в узком, увешанном зеркалами туннеле, который вел на открытую террасу, уставленную столами и стульями. На террасе тоже было полно панков, но Беккеру она показалась чем-то вроде Шангри-Ла: ночное летнее небо над головой, тихие волны долетающей из зала музыки. Не обращая внимания на устремленные на него любопытные взгляды десятков пар глаз, Беккер шагнул в толпу. Он ослабил узел галстука и рухнул на стул у ближайшего свободного столика. Казалось, что с той минуты, когда рано утром ему позвонил Стратмор, прошла целая вечность.

АНБ поручили разыскать отправителя. Хотя агентство имело возможность потребовать от переадресующей компании открыть ему имя этого клиента, оно решило прибегнуть к более изощренному методу - следящему устройству. Фактически Сьюзан создала программу-маяк направленного действия, замаскированный под элемент электронной почты.

Она отправляла его на фиктивный адрес этого клиента, и переадресующая компания, выполняя свои договорные обязательства, пересылала этот маяк на подлинный адрес.

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